Feast of Ashes by Victoria Williamson

Yes, it is another Victoria Williamson book, I am quite the fan. This time Victoria moves from MG to a dystopian adventure for a YA audience. I am long past YA status, but as with her children’s books, adults will enjoy this too.

Blurb

The Earth’s ecosystems have collapsed and only ashes remain. Is one girl’s courage enough to keep hope alive in the wastelands?

It’s the year 2123, and sixteen-year-old Adina has just accidentally killed fourteen thousand seven hundred and fifty-six people. 

Raised in the eco-bubble of Eden Five, Adina has always believed that the Amonston Corporation’s giant greenhouse would keep her safe forever. But when her own careless mistake leads to an explosion that incinerates Eden Five, she and a small group of survivors must brave the barren wastelands outside the ruined Dome to reach the Sanctuary before their biofilters give out and their DNA threatens to mutate in the toxic air.

They soon discover that the outside isn’t as deserted as they were made to believe, and the truth is unearthed on their dangerous expedition. As time runs out, Adina must tackle her guilty conscience and find the courage to get everyone to safety. Will she make it alive, or will the Nomalies get to her first?

Review

The author has created an unfortunately believable future world caused by corporate greed and subsequent cover ups at global government level, but at the heart of this story are the relationships between the various characters. Their personalities and character lead the narrative, as they struggle to survive and reach safety.

Like a typical teenager, Adina has her own agenda. Whilst she is intelligent and good at her job as a technician in the Dome, helping to keep the machinery working, she is often distracted from this by other tasks she would rather be doing which, as expected, are not aligned with her responsibilities and lead her into trouble more often than not. She fully justifies her decisions to herself, she sees them as benefitting others, not herself, but they ultimately lead to her taking responsibility for the destruction of the dome and the deaths of all but a few occupants. Keeping this a secret from her best friend, Dejen, and the other survivors means her relationship with them becomes strained as she pushes them away to stop them working it out.

As I have said in a previous blog, books are either mirrors or windows for the reader. Most of this book was a window for me given the futuristic setting, but Adina’s conscience and the projection of her fears onto her perception of the reasons others look at her as they do is a mirror for my own. No, I have not accidentally (or even deliberately) killed thousands, but her feelings of guilt and how she perceives what others think about her and her actions rings true for me. I often make more of something in my head then find out I needn’t have. Moral of this…talk to people, don’t keep feelings internalised.

Once again, Williamson is not afraid to cover many big issues in her writing. In Feast of Ashes these include keeping secrets, family disfunction, global corporate greed that impacts on the people and eco systems in Africa, government secrets, death and making sacrifices.

This is the first of a series and I look forward to the next instalment.

Bone Music by David Almond

“It’s no good rewilding the world , if we do not rewild ourselves.”

Sylvia has been brought from her city home in Newcastle to the vast, never-ending landscapes and skies of rural Northumberland for a break. She feels cut off, isolated and, in a strange way, enclosed by the depth of seemingly endless darkness that first night.

She then meets enigmatic Gabriel, who shows her the countryside and links to the past. Their walks and talks enable Sylvia to look within herself and within the landscape for connections to the past, her past, the past of the landscape and nature. This is deepened by her making of an ancient musical instrument from the wing bone of a buzzard.

Sylvia is concerned about humans and the destruction they bring to the planet. By embracing her surroundings, the history, the music and the people, by letting herself get lost in them, she finds her true self as well as hope and light, which gives her a deep, deep sense of belonging and courage to fight for the future.

David Almond is a master wordsmith, painting stunning images in the reader’s head. His prose is poetic, lyrical. It evokes the infinite landscape and skies of Northumberland, the musicality of nature and the wilderness through time.

As I read this, I could not help but reference the words and images of The Dam (2019, David Almond, illustrated by Levi Pinfold), which has the same modern/ancient, music/ghostly themes. The flooded village is later mentioned in Bone Music, the lake now part of the natural, ever changing but constant landscape.

The themes of humans verses the environment, ancient verses modern, light versus dark, destruction versus creation are deep. Sylvia’s journey to Northumberland and inside herself provide hope, light and music that will strengthen and heal.

Whilst Sylvia is the main character, for me the landscape and music are the unconventional stars of this story.

The cover design, by David Litchfield, is hauntingly beautiful. It encapsulated so much of the meaning in this story.

I was provided with an eARC of this by NetGalley and Hachette Books. Thank you.