I was delighted that Pushkin Press sent me a proof copy of Thirst to read and review as I am a big Darren Simpson fan. I loved the originality of The Memory Thieves and reviewed it here. The author’s world building and story telling are first rate so expectations were high. I was not disappointed.
I would also like to give Natalie Smillie a shout out for her outstanding cover illustration.
Blurb
Nobody talks about the strange happenings in Maimsbury. No one speaks of the hooded figures glimpsed in the woods, nor the children’s game that went so horribly wrong. But most of all, nobody dares whisper their doubts about the river they have worshipped for centuries.
Like everyone in Maimsbury, Gorse is used to the sacrifices made every spring to the River Yeelde. The life of a farm animal – in return for a year of plenty – seems a fair trade. That is, until a tragedy leads Gorse to a blood-curdling discovery.
Because this year is a Brim Year, and after giving so much, the river needs more than an animal’s life to sate its thirst…
Review
I have just finished reading Thirst and I was swept along by the story, not by the Yeelde River, thank goodness. The author has written a mesmerisingly disturbing, dark story steeped in folklore, with fairy tale references (some subtle, some not so subtle) scattered throughout. The use of children’s rhymes builds the authenticity of the tale and, as is common, they have dark undercurrents and are based on some truth from the past, chronicling the dark history whilst also hiding it in plain sight.
This reminded me that stories (lore, myth and fairy especially) are traditionally spoken, passed down and they shape shift slightly with each retelling, which is how the people of Maimsbury are aware of the village’s history. Most choose not to acknowledge the darker side, they just go about their business, reaping the rewards of a disturbing sacrificial pact made once upon a time, long, long ago, that has ongoing consequences even now.
However, as we all know, things ignored or left to a select few to deal with usually come back to bite us. Such is the case in Maimsbury.
Some of my favourite stories include the setting as a main character. Alan Garner and Susan Cooper are two examples that spring to mind. With the river and, to a slightly lesser extent, the woods in Thirst, the author has achieved this exceptionally well. As I said in the introduction, Darren Simpson’s world building is superb and Gorse’s Maimsbury is no exception.
It struck me immediately that the characters from the village are named for plants – trees, flowers, fruit. In folklore, naming is important, a binding, powerful force and clearly signifies a link to family and/or, more importantly in this story, place, to the village as a whole which, considering the pact, is an important factor. Just by their given name, anyone from outside the village stands out. This clearly identifies them as people not to discuss the sacrificial pact with.
I realise I have not said much about the storyline here, but it would be difficult to do without spoilers. I just wanted to tease out a few details to help you decide if it is for you or not. I highly recommend you read this book. It is dark, chilling and gruesome. It is storytelling at its very best.
Thank you to Pushkin Press and Darren Simpson for the proof copy to read. Thirst will be published on 11th September 2025.
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