Irex by Carl Rackman

Blurb

In the harsh winter of December 1889, the sailing vessel Irex leaves Scotland, bound for Rio de Janeiro. She carries three thousand tons of pig iron and just three passengers for what should be a routine voyage. But Captain Will Hutton soon discovers that one of his passengers hides a horrifying secret that threatens the lives of everyone on board. As the Irex battles relentless storms, Hutton fights battles of his own as he becomes mired in the intrigues of his passengers.

When the Irex is wrecked off the Isle of Wight six weeks later, it falls to the county coroner, Frederick Blake, to unravel the events that overtook the doomed ship. He quickly runs into opposition – powerful forces within the British Establishment are working to spike his inquest. Locked in a conflict with the sinister agents sent to obstruct the investigation, he begins to discover that nothing aboard the Irex is what it first seemed, while the evil that stalked the ship now threatens anyone who seeks to expose it…

Irex is an atmospheric mystery, set in a rich Victorian world, packed with intrigue, twists and unforgettable characters — the gripping first novel by Carl Rackman.

Review

The story is told via alternating chapters…the ill-fated maiden voyage of the Irex and the inquest into the wreck. The format works well and as the story unfolds, you realise how unreliable individual viewpoints are and that every angle needs to be brought together to get to the truth. However, with some passengers not surviving the voyage, others missing and those who give testimony unclear about some aspects of what actually happened, this proves difficult for the coroner.

Rackman succeeds in immersing us in the world of Victorian sea faring. His descriptions of the ship are precise, enabling the reader to envision being aboard. The claustrophobic sense being on a ship gives you is strong. The chapters on the storm and wreck are vivid, detailed and build the tension superbly, as does his handling of the ever increasing suspense and danger the coroner and his colleagues find themselves in.

The author develops rounded, believable characters. They are human, make mistakes and are often either second guessing themselves or in conflict with themselves about what to do next.

Rennie, the Glasgow journalist, is, to me, a Victorian version of Brookmyre’s Jack Parlabane.

A thoroughly enjoyable read.

Thanks to #TheWriteReads for a digital copy of this to review for this #BlogTour .

Punch by Barbara Henderson

This is not a new book, it was published in 2017. I discovered it by chance, having seen a different book on Twitter and following a link to the publisher’s website (@cranachanbooks https://www.cranachanpublishing.co.uk/ ). Being Scottish, with a fascination for Victorian times and also Punch and Judy, I obviously ordered it. I also ordered some other books, but that is for another blog.

Punch tells the story of Phineas, an orphan living in 1889 Inverness under the volatile guardianship of his “Uncle” Ewan. He is sent on a nighttime errand, which ends with the town market halls being set on fire. Falsely accused and justifiably scared of the reaction of his guardian and the police, Phineas goes on the run.

He forms unlikely alliances with an escaped prisoner and a family of travelling entertainers on his journey, which includes encounters with a dancing bear and Queen Victoria. He learns new skills, including becoming a puppeteer. He also has a bounty on his head, wanted for arson. Can he clear his name? Can he resolve his issues with his turbulent past? How he became orphaned is haunting him. This and way he was treated by his guardian means he struggles with trusting his new companions. Are they on his side or biding their time to turn him in for the money?

Barbara Henderson has written a gripping story based on a true event (the market halls in Inverness did burn down). The strength of this story is in the characters: their backstory, their relationships with each other, how they support each other to make sense of what has happened to them and how they finally resolve misunderstandings of their own and other people.

Themes of broken families, living with a bullying adult, friendship and trust run through the story, as does compassion, hope and love. When I took a break from reading, I was thinking of Phineas and his predicament and I wanted to get back to it as soon as possible…the sign of a very good book. I plan to read more of Barbara’s books.

The cover art, which I love, is by Corinna Bahr.

The Incredible Talking Machine by Jenni Spangler

Pull back the curtain and enter a world where mystery and magic take centre stage in a gloriously gothic, Victorian era adventure.

Twelve-year-old Tig works at Manchester’s Theatre Royale, cleaning, selling tickets, crawling along beams to light the gas stage lamps and anything else that is asked of her by her deliciously villainous boss, Mr Snell.

A strange and intriguing new act, a talking machine, arrives and behaves in a way that Tig just can’t work out. The machine appears to be hinting at a dangerous secret, so Tig must race against time to solve the mysterious clues. Just when she thinks she has, it turns out she was wrong and, because of her impetuousness, problems occur and her close friends start to mistrust her.

An action packed Victorian adventure full of ghosts, gadgets, a dress with pockets (if you know, you know) and shifty villains.

Jenni Spangler has used a real story to create a tense, atmospheric tale involving a cast of characters so well written that I read it in one afternoon. It helps that I have always been fascinated by stagecraft and inventions/curiosities like this

There is plenty of action, from Tig balancing on beams high above the stage in the dark, lighting the new gas stage lamps to mysterious thefts, disappearances and races to try to prevent the machine’s “open to interpretation” predictions of catastrophe.

However, the strength of the story lies in the characters that Jenni has created.

  • Tig, the feisty, impetuous, determined heroine.
  • Nelson, the sensible, cautious friend.
  • Mr Snell, the villainous, permanently nagging boss.
  • Gus, the ambitious but sneaky stagehand.
  • Mr (oops, sorry, Professor) Faber, the eccentric German inventor of the talking machine.
  • Eliza, the stage manager, who does her best to look after Tig when her “act first, think later” attitude gets her in trouble.
  • Euphonia, the talking head…does she have a mind of her own?
  • Annie…you will need to read the book to find out about her.

Chris Mould’s brilliant illustrations capture perfectly the array of characters and the gothic feel of the time, adding even more texture to an already well woven story.